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BRAINDEAD WEBZINE
http://www.grindgore.net
(Nota 4/5)
Horrificia Review: Horrifica is yet again another talented brazilian
band delivering quality death/grind. Solid, ripping guitar riffing, fast
and pretty skilful drumming and very precise well-crafted song writing.
The vocals are your usual death growls, slightly monotonous, but I like
the inclusion of a couple of pitch-shifted roaring outbursts though...
Really, this band is top notch and their stuff really grabs the
attention, they definitely have an edge to them. There's definitely a
death metal vibe about them but the band decidedly leans towards
grindcore territory more than average brutal death. I would say
Horrificia has an air of early Brutal Truth ("Extreme Condition Demand
Extreme Responses" era), but yeah the band actually writes some pretty
intricate riffs, even with a slight bit of melody and the songs have a
great flow to 'em. Definitely one of my fave brazilian death/grind bands
out there! I think they took their name off an underground gore movie by
a french director called Antoine Pellissier ("Maleficia"), that movie
has been in production for a few years but is still not out yet as far
as I know! So I definitely dig the horror concept and inspiration behind
the band as well...
Raped Bitch Review: Now Raped Bitch is a colombian band so it doesn't
quite fit in the "Brazilian Grind/Gore" thing I'm doing here. But still
this is a pretty damn awesome (one-man, I think) band. Definitely some
of the best drum machine Grind/Gore I've heard in a long time, complete
with pulverizing drum programs, ultra-fucking-fast blastbeats as well as
catchy d-beat parts, pretty mindblowing, grindcore riffage and
blistering pitch-shifted gore-gurgling vocals... I think this shit is up
there with awesome drum machine stuff like Dysmenorrheic Hemorrhage,
Psychosadistic Haterapist and all... The sound production is a little on
the harsh side, still perfectly fine, just in an over-saturated,
over-driven way and overall pretty damn powerful! The porn intros can be
a little tiresome but nevermind, this Raped Bitch stuff is too good to
pass up!
By Pierre
 DECIBEL MAGAZINE #046 (Agosto de 2008/JUDAS
PRIEST)
http://www.decibelmagazine.com
A Revista americana Decibel Magazine nº 46, fez uma matéria em
sua seção de resenhas sobre nossos lançamentos. Veja abaixo o que foi escrito.
Ou
CLICK AQUI para ver a página
escaneada.
ENGLISH - You don't actually have to know Portuguese to figure out
that a label called Humanos Mottos is probably not keeping you up to
speed on the latest MySpace-haircut-and-painted-on-jeans/ At the
Breakdown bands. And considering that the upcoming release schedule of "third
world grinders" Marcelo and Vinicius includes opuses from Molestia and
Italy's Diorrhea, it's not hard to figure out which side of the extreme
music fence Humanos Mortos plays on. Thus, in lieu of scores out of 10,
we've placed educated guesses on which crimes these bands will
eventually end up getting thrown in the pokey for. -KEVIN STEWART-PANKO
HORRIFICIA/ RAPED BITCH - Split CD
Brazil's Horrificia offer up more than a little Impetigo in their horror
film-themed grindcore and drummer Erick attacks his snare like Rich Hoak
stabbing a sopping wet camp counselor. Raped Bitch's details tell the
story: one-man, drum machine¬propelled unit; songs intro'd with porn
samples; main musical influences listed as Anal Penetration and Faeces
Eruption.
LOCKED DOWN FOR: Horrificia: unauthorized duplication of horror DVDs;
Raped Bitch: the clues are in song titles like "Abuso del Recto," "The
Anal Torture" and "Orgasmo Anal"
AGORHY - Ruptura
Who'da ever thunk a band sounding like a collision of Sepultura and
Napalm Death would stick out like a mature, sore thumb? Rio de Janeiro's
Agorhy have been attaching a brutal grumble to their political/social
commentary for a decade. Ruptura compiles everything they've ever
committed to tape since 2000 on one disc.
LOCKED DOWN FOR: Throwing Molotov cocktails at the Policia.
INTESTINAL DISGORGE - Vagina
It's always the normal-looking dudes who are the most perverted
kinksters; the sort who'll fuck your dog after tricking their own
grandmothers into phone¬sex sessions after a long day trapped in an IT
cubicle. San Antonio's Intestinal Disgorge are four casting rejects from
Revenge of the Nerds offering 65 tracks ranging from "Bea Arthur Porn
Party" to "Unregistered Sex Offender." Weird thing is, they're actually
pretty good-reminding in various spots of old Blood Duster, Macabre and
even Naked-fucking-City!
LOCKED DOWN FOR: Not sure, but chances are they'll be segregated from
Gen Pop.
By Kevin Stewart - Panko
UNHOLY CULT
http://www.unholycult.com
Two bands from South America for a Split CD is almost always a killer
combination. Like snorting a line of cocaine from between the tits of a hottie,
like a double penetration on a drunken whore, like a morning shit mixing large
turds with diarrhea, like a beautiful anal virgin, a hottie that never had a
facial, or for the more tame (Pussies!), pecan pie with vanilla ice cream.
Goddamn it I love combos!
Horrificia: This is a band out of Brazil. The music they play is Grindcore in a
sound similar to a poor mans Napalm Death meeting early Dead Infection in an
ally for a fight using only tire irons. Now, when I write “poor mans” I don’t
mean the music slightly sucks so I am being nice about how Horrificia delivers.
What I mean is Horrificia are not as proficient musically as those bands, but
they make up for it with enough attitude to be a pipe wrench crushing a scrotum.
The music is enjoyably boorish with a nice mixture of sonic speed shattered by
breakdowns into reverb laden groove. Vocals are intimidating static gurgles
offset by random feedback hacking. Drums pound like a shotgun recoil to the
chest, and bass is a distorted mass of rumbling hate.
Horrificia is straightforward adrenaline music performed quite well. Despite the
bands lack of ingenuity they play with enough grinding violence to keep the
intensity pedal floored. The production is gritty and the music is crusty, but
this is the bands first release, therefore, I realize they can only get better
or worse if they decide to forgo inventiveness. Still, for 7 songs on this Split
CD, Horrificia perform capably.
Raped Bitch: These guys are from Ecuador. Going back to my university days the
only thing I recollect from intro to geography about Ecuador is that along with
Chile, it is the only other South American country not to border Brazil. Anyhow,
Raped Bitch play no-fucking-frills Porn Goregrind. Everything about the music
from the amps, to reverb, to porn samples are cranked to 10. The music oozes out
of speakers in a hardnosed woofer destroying hammering crazy enough to make it
seem like the speakers have been blown. Raped Bitch is nasty somewhat groovy
filth in the vein of Faeces Eruption, Blue Holocaust, and a more stripped down
version of Regurgitate. The music is as blatant as taking your Viagra spiked
cock out in a packed church during the moronic Eucharist. Songs croak like the
hull of a tanker spilling oil on a nature preserve via a mess of distortion.
Guitars chug and churn with programmed drums leading the tempo at about 10
million beats per minute. Vocals are raunchy vomiting underwater gurgles with
bass lost in the fog.
At first Raped Bitch comes across a bit too primitive, but by design this is
their approach in that the music is meant to be crudely sonorous. Still, if the
band toned it down to 8 in the studio they would hit ears with more sexual
deviance and musical ferocity based on audibility of riffage, vocals, and bass.
Overall what Raped Bitch has done on the Split CD is descent enough to
compliment their South American counterparts, Horrificia. Fans looking for a
last second recording to fill a free spot in their online cart should not shy
away from this little ditty of putridity on disc!
By Mike Lidia
METAL OBSERVER Webzine
http://www.metal-observer.com
(8,0/10)
This split comes hammering in with all the subtlety of a gorilla fist fuck. The
carpet bombing here resembles a B52 stag night, relentless percussion and ear
drums running off screaming for their Mum. Brutality is the beast at play and
with this two-headed monster straining at the leash, it's probably time to think
of life insurance.
HORRIFICIA start the stampede in emphatic fashion, battleship heavy and torpedo
boat fast, this Grind/Death battalion belt out barrages of bludgeon that does
its level best to flatten the listener into the ground, crushing riffs
highlighted by some arc weld lead strikes blitzkreig alongside a pummelling
cacophony of drums, the drums aim for aural collapse and do so without resorting
to constant skull-top snare, instead the drums are muffled but no less
devastating.
Though their tracks don't hang about, HORRIFICIA frequently lessen the pace but
not the intensity, it's shin shattering whatever the dynamic, slower sections
don't sound anything like breakdowns and the punishment prevails. Vocals are
archetypal bestial roar, thankfully they stay well clear of piggy noises and
resorting to pure belly rumbling burps, concentrating instead on maintaining a
nasty animalistic mic savaging. Whilst it's all over the top, it's also catchy,
the ground shaking groove that permeates this girder strong assault demonstrates
that brutalality with the right delivery might rip your face off but it can
still leave you enough teeth for a bloodied grin.
RAPED BITCH swap HORRIFICIA's take on a bloody gaping hole for another as they
shun their mates stab-with-a-knife for a poke-with-a-pork sword. The usual
preposterous rammed rectum rejoicing from some porn flick introduces a greater
extremity, which is far nastier but less focussed than the preceding band. Far
more simplistic, occasionally nearing the realms of nursery Grind, nonetheless
when they find their groove RAPED BITCH are able to daisycut along with
bomb-blastic glee, mainly thanks to an absolutely crippling crash of concussive
drum machining.
Incomprehensible vocals of the most feral nature boost the feeling of filth,
they approach white noise though still retain the wild boar trapped in a pit
vibe. The guitar work is raw and lacks the twist and lightning flash that
accompanies HORRIFICIA's work, still it bounces along like a lead balloon
covered in all manner of shit and fulfills its role of upping the unpleasantness
inherent in RAPED BITCH's sound. The production here ensures a crud encrusted
result, which suits this lot down to the ground, wipe your feet when you leave,
you don't want to traipse something unspeakable back home.
Two bands then that are able to cause serious damage, there's plenty in this
game and so brutality alone isn't enough to ensure your noticed. Both these
bands have elements that should bring them to note, I suspect that HORRICIA have
more mileage in their sound but there's no denying that RAPED BITCH are just the
job to rid yourself of unwanted guests.
by Mac
BURNING MISERY
http://www.burningmisery.com
After having heard, and reviewed, a black metal band from Bolivia, this split cd
from Brazil's Horrificia and Raped Bitch, from Ecuador, once again expands my,
rather limited, knowledge of South American metal. Death/ grind act Horrificia,
who open this split with their seven (de)compositions, are easily the more
musically accomplished act of the two. Their songs, which more than occasionally
remind me of a more grind-infused Severe Torture in both sound and riffing style,
are tightly executed and make a lot of sense from a songwriting perspective,
especially if you consider how short they usually are. Judged by the song titles
the band members draw their inspiration from horror movies. This is probably
emphasised by the movie samples at the beginning of several songs, but since I
don't speak any Spanish, this is only a guess. Horrificia's share of this split
contains some really good death/grind, and since the production itself, with the
exception of the somewhat ineffective drumsound, sounds quite professional, you
would say that there is nothing to complain, were it not for the fact that these
recordings have been mastered so incredibly badly that the whole listening
experience is ruined; by boosting the volume too much, Horrificia's part of the
split as a whole is heavily distorted and, hence, sounds as if somebody is
playing it through small, blown up speakers. Needless to say that this is not
particularly pleasant too listen to. You'd hardly guess with such a name, but
one-man project Raped Bitch has a more blunt approach to grind. Though less
complex and skillful than Horrificia, Raped Bitch's 9 songs typically combine
hyperblasts (courtesy of a drum machine) with leaden mid- to up-tempo polka
stomps and, despite Regurgitate being mentioned as a prime inspiration on the
band's myspace, particularly remind me of an even more lofi Mortician. The
ultra-low guitar tuning enables maximum impact of the simple but effective riffs,
but the vocals, which are modulated to an equally low range with aid of a
pitch-shifter turned up (well, down) to eleven, are too much in the subsonic
range to be more than a semi-subsonic blubber and are therefore not convincing.
The band name as well as songtitles like "Drowning on sticky yellow sperm" or "Butal
infection of the clitoris" should give away that sole band member Pablo
appreciates his fair share of porn, so it shouldn't come as a surprise that a
couple of these songs start or end with some moaning female persons. If you like
your grind to be devoid of anything even remotely approaching subtly, checking
out this band isn't a bad idea as this is pretty much as blunt as it can get,
while musically still remaining quite interesting. Too bad the drum samples are
so bad: whereas bassdrum and snare sound pretty okay, the toms, as well as the
rather lame tomfills, by the way, sound silly and unconvincing, but worst of all,
the cymbals have a badly rendered mp3 quality that makes the second part of this
split equally difficult to listen to. Overall this is a nice split to listen to.
Although both bands convince, Horrificia clearly is the more musically
interesting. Too bad the production values make this cd so hard to listen to;
without the sound problems, my rating would have been half a point higher.
by Martin
IMM3MORIA Webzine
http://www.imm3moria.org
80.0/100
FRANCAIS -
Bah en voila une release qui sent bon la nouveauté ! Nouveau split, nouveaux
groupes, nouveaux horizons (Premier groupe équatorien que j’écoute !!) Et aussi
nouveau label, puisque ce split scelle l’entrée des Brésiliens d’Humanos Mortos
Prod. sur le marché du disque… Quid de la seconde ? Un certain combo nommé
INTESTINAL DISGORGE parait il… (Inutile de vous conseiller de lire la chro
relative au dernier né des jolis cœurs texans, Vous l’avez surement déjà fait)
Trèves d’insipides bavardages, nous rentrons directement dans le vif (?) du
sujet, avec les brésiliens d’HORRIFICIA qui ouvrent le bal avec 7 titres de
grindcore louchant dangereusement vers le brutal death US, teintés de quelque
accents gore bien foutus. Autant annoncer la couleur direct, si ce split parait
sous l’œillade généreuse de la nouveauté, le quatuor fait fi du cette salvatrice
enveloppe de fraicheur qui hume la rondelle de plastoc irisée… et enfile ses
décibels estampillés « gros death qui tâche » comme autant de disques cervicaux
sur des intestins grêles de prudes têtes blondes…
Comme notre monde est un monde de ségrégation (c’était le constat hippie a deux
Roupies du jour) je serais le Nelson Mandela du Métal extrême, et HORRIFICIA
sera notre Afrique du Sud. (Comment ça c’est pas clair ??) Voyez vous, quand on
interroge un fier Brutal deatheux sur son aversion envers le grindcore, vous
avez neuf chance sur dix de le voir vous répondre : « C’est trop foufou, c’est
pour les lopettes pleurnichardes » inversement, interrogez un Grindeux sur ses
positions résolument anti-BDM : « Ca manque de folie, ça groove pas assez c’est
pour les lopettes pleurnichardes ». Eh bien non, chers lecteurs, ce temps ci est
révolu ! Les auditeurs assez curieux pour aller jetez une oreille jusqu'à la
première partie de ce début de split seront sans nul doute d’accord avec moi :
HORRIFICIA pratique une mixture, juchée sur des riffs gras et lourds, qui sue le
gros death sudoripare par tout les orifices, mais avec une structure très
grindesque. Entendez par la rien de fixe, tout est toujours en mouvement, les
compos vont et viennent entre vos esgourdes, chargent et ravitaillent un feu
sonore très nourri. Ajoutez les nombreuses intros au son bien tranchant de la
galette et aux vocaux de panda mâle a la tyroïde en rut et vous aurez sûrement
la même pensée que votre serviteur : On sait pas vraiment ce que c’est, mais ça
déchire quand même bien !
En effet, on sent que les quatre rigolos ne passent pas leurs après midi à jouer
au beach volley avec des mannequins en string sur Copacabana, mais plutôt
enfermé dans une obscure salle de répèt’ à riffer bien lourd pendant de longues
heures… (Chacun sa technique de drague après tout). Les compos sont d’un très
bon niveau, toujours très bourinnes, mais avec un touche « Easy listening » pas
désagréable (on est d’accord, ça reste du gros BDM brésilien bien UG) et qui
rappelle les suédois d’OBSCENE (dont on n’a plus de nouvelles d’ailleurs)…
Mais vous vous doutez bien que notre quatuor est pas venu la pour jouer seul,
plus y’a de fous, plus on rit ! Et quand vous cherchez des fous, inutile de se
casser la tronche : un Goregrindeux paumé au fin fond de l’Equateur fera très
largement l’affaire…
Dans la catégorie « Underground » je crois que le bonhomme de RAPED BITCH bat
des records : absolument inconnu de toutes les distros métal, introuvable sur
Métal Archive et quasi inexistant sur le ouaib (enfin, il faut avoir le courage
de filtrer tout les résultats incongrus qu’éveillent les mots clés « Raped Bitch
»-Salope violée) ce one man band est comme tout les one man band qui font du
Splattering Gore : totalement dédié aux méandres de l’UG. Cependant, rajoutez à
notre ami le fait qu’il est bâti son projet en Equateur et vous obtiendrez une
antistar comme on les aime !
Bon vous l’aurez capté, ici on traite gros Gore qui coule, autrement nommé par
les spécialistes du « Drum Programming Splattering Porn Goregrind » à savoir
quelque chose de fort similaire au one piece qui peuplent la Hollande et L’Allemagne
: on pense tout a tour a TUMOUR, FAECES ERUPTION, ANAL PENETRATION et autres
BLUE HOLOCAUST (oui je sais, ce dernier est français, notre rayonnement culturel
s’étend bel et bien du Camembert au lait crû qui refile la Listéria jusqu’au
Gore gras et empesté qui vous plie les tripes façon Origami made in Japan). Bref
que du bon, Bien splattering mais parsemé de Mosh parts graveleuses qui
apparaissent quand le Drum Programming cesse de lapider vos tympans (c’est à
dire rarement). Je suis assez fan de la brutalité de RAPED BITCH, a l’instar d’un
RAMPANCY (on fait le tour du monde ! –RAMPANCY est campé en Indonésie-) notre
bonhomme, qui répond au nom de Pablo, a su doser entre la castagne rêche et
sévère et le Goregrind dégoulinant et humide. J’entends par la que on est pas du
tout dans un URINE FESTIVAL qui sape les fondements du grindcore pour faire
gicler ses immondes échappées de slime synovien, mais notre équatorien a su
garder assez de punch pour vous plier les lombaires en 69. Eh oui, des titres
comme «Brutal Infection of The Clitoris » ou « Endless Vaginal Bleeding » feront
surement conclure des milliers de garçons sur les dancefloor d’Amérique latine.
Bah en voila une release qu’elle est bonne, rien de bien neuf mais tout tape
juste, avec un son qui certes gênera les plus pointilleux (ça grésille quand
même pas mal) mais foutra la banane aux autres.
UNBOUND ZINE - WEBZINE
http://www.unboundzine.com
4/5
ENGLISH -
I was pretty much expecting two extremely fast and dirty bands to make up this split and I definitely was not off the mark. Horrifica plays an old school for of grind that to my ears sounds like a cross between Impetigo and classic Earache styled grindcore. The vocals are extremely guttural and roar with the authority needed to make this genre as powerful as it can be. The riffs are straight to the point and you certainly wont ever get lost in a flurry of technicality. The band seems to juggle between fast tremolo picked riffs and crust influenced passages. It basically sounds like a cross between Impetigo and Napalm Death which basically translates into one kick ass band. The production is a bit on the harsh side, but everything still manages to hit you in the face with more then enough power.
Raped Bitch definitely is not up the same quality as Horrifica. They have more of the typical drum machine grind sound with undecipherable vocals and a fuzzed out guitar tone that makes the riffs very hard to pick out. If you are fiend from drum machine grind then youll probably enjoy this but to me it just wasnt up to snuff, no pun intended.
This is definitely worth picking up for the Horifica tracks as they are one of the best goregrind bands I have heard in a long time. Raped Bitch has their moments, but doesnt really do much for me
honestly.
by Mike Hochins
VAMPIRE MAGAZINE - webzine
http://www.vampire-magazine.com
ENGLISH - Horrificia from Brazilopens this split doing a pretty good impression of what gory deathgrind should sound like: uncompromised in your face kicking blasts, followed by some up-tempo death metal parts. During their 7 songs you’ll notice they can also put the necessary swing in their tunes. “Hans” could have been a Death Infection song for instance. The production is raw and gives you the immediate notification this is pure underground shit you’re listening to.
Raped Bitch’s(Ecuador) production makes Horrificia’sone sound better, but don’t let that fool you. Their pure goregrind set is perfect. The sound gives the drum-machine the perfect twist. Sick gurgling vocals and the everlasting sweep of the distorted guitars made my nerves tingle. Fuck, this is cool. Although blast-beats are certainly present, the power of the songs lays in the mid-tempo parts of the songs.
Chiavica Gorecords and Humanos Mortos should be pleased by having released this split. Check it out and you’ll know what I mean. For goregrind lovers this is definitely a got to have one.
by Piertje
METAL VOX - webzine
http://www.metalvox.com.br
Nota: 8.5
PORTUGUÊS - Primeiro lançamento em CD desta “joint venture” das gravadoras Chiavica Gorecors e Humanos Mortos. Como não poderia deixar de ser o que temos neste splits são duas bandas que primam em “agredir” as conchas auditivas de quem ousar ouvir o Grindcore que praticam, no caso dos cariocas do Horrificia a linha adota é um Grind com Gore e temática baseada no Horror que encontramos em filmes trash, tanto que o inigualável Zé do Caixão (Coffin Joe para os gringos) “aparece” na música Despertar do Ventre Negro – a melhor das sete que o Horrificia traz neste split. Já o Raped Bitch (uma one man band do Equador) parte para um Pornô Grind e com uma bateria eletrônica programada para agir na velocidade da luz, particularmente não gosto do uso deste recurso, todavia no contexto musical do Raped Bitch a “maldita máquina” caiu como uma luva para tornar ainda mais insana a brutalidade sonora e lírica promovida. Gostei de todas as músicas, mas destaco Orgasmo Anal pelo absurdo sonoro promovido e pela temática abordada, como diria um grande amigo: “buceta é invenção de americano forma de pica é cu”, rsrsrsrsr!!! Grinders este lançamento merece estar rodando em vossos cds
players!!!!!!!!
by Jaime Amorim
ROCK BRIGADE - Revista JULHO / 07
7,5/10
PORTUGUÊS - Quando peguei este CD, logo achei que se tratava de mais um daqueles registros
GOREGRIND de péssima gravação, músicas fora do tempo, sujeira a granel - em
suma, uma tosqueira geral. Pois, então: para minha surpresa, a produção de
ambas as bandas e exemplar e mesmo a apresentação visual, apesar de sonegar
algumas infromações essênciais, se mostra bastante efetiva em sua
simplicidade. Agora, se a qualidade sonora se fza surpreendente, o mesmo não se
pode dizer da música tanto do Horrifica quanto do Raped Bitch.Aquilo que já
esperamos do estilo se faz presente em doses maciças por aqui (afinal, não
esqueçamos que o Goregrind é um dos mais inflexiveis estilos já criados):
baixo estalando de distorção, velocidade assombrosa, quilos de imundíce, títulos/letras
impagáveis...mesmo entre as duas bandas as diferenças são ínfimas - a mais
sensível é a utilização de bateria programável por parte do Raped Bitch, o
que confere a alguns temas uma velocidade inacreditável. Assim, só nos resta
liberar o maníaco que existe em todos nós ao som de belezinhas como CÂMARA DA
ORGIA VISCERAL, DIANTE DE SUAS ENTRANHAS, ABUSO DEL RECTO E ORGASMO ANAL.
Iniciados em podreiras mais extremas sem dúvida fartar-se-ão.
by Alexandre Bury
PSYCHOSIS DEATH ZINE - webzine
http://www.psychosisdeath.com.br
PORTUGUÊS - Com um vocal Gore vomitando temas macabros e sangrentos, Horrificia inicia o
tormento sonoro com as primeiras sete faixas de um potente e ríspido DeathGrind
com muita agressividade nos riffs e velocidade na bateria. Horrificia apresenta
uma sonoridade extrema e riffs que transmitem um feeling negro, colocando na
velocidade do DeathGrind elementos nauseantes, provocando uma hemorragia sonora
em sua estrutura sonora desenvolvida com excelentes riffs, sangue e
agressividade sonora! Na seqüência o Rapped Bitch explode nos altos falantes
tocando um visceral, nojento, podre PornoGoreNoise, alicerçado por uma
sonoridade primitiva que atinge uma velocidade ensurdecedora, enquanto as violações
timpânicas agridem a decência! Este split é uma excelente opção para
amantes de uma sonoridade tosca e primitiva, pois as duas bandas apresentam
qualidades nauseantes e sonoridades violentas destiladas com pus, menstruação
e liquidos vaginais! Demência sonora!
by Fernando
ENGLISH - With a vocal Gore vomiting macabre and bloody themes,
Horrificia begins the sonorous torment with the first seven tracks of a potent
harsh DeathGrind with a lot of aggressiveness in the riffs and velocity in the
drums. Horrificia presents an extreme sonority and riffs that transmit a black
feeling, putting in the DeathGrind velocity nauseating elements, provoking a
sonorous hemorrhage in your sonorous structure developed with excellent riffs,
blood and sonorous aggressiveness! In the sequence Rapped Bitch explodes in the
speakers playing a visceral disgusting rotten PornoGoreNoise, consolidated by a
primitive sonority that reaches a deafening velocity, while the tympanic
violations attack the decency! This split is an excellent option for lovers of a
rough and primitive sonority, therefore the two bands present nauseating
qualities and violent sonorities distilled with pus, menstruation and vaginal
liquids! Sonorous insanity!
by Fernando
VOMIT THE SOUL Zine - webzine
www.vomitzine.com
ENGLISH - HORRIFICIA starts playing with 7 tracks of excellent Goregrind!! I never heard
about this band before, and I’ve just been 100% impressed by those 7 tracks!!
Brutal and fast as Hell Goregrind, mixed with excellent Brutal Death riffs in
the vein of DEICIDE and the likes!! The mixture is just perfect, always blasting,
always powerful, and with a fucking great feeling!! HORRIFICIA clearly deserves
to be listened by every Grind freaks looking for innovations!! HORRIFICIA rules!!!
The description is finally a bit short, but I don’t need to write lines and
lines! HORRIFICIA had the very good idea to mix Goregrind and Brutal Death, with
intros taken from Horror movies, and finally comes with 7 excellent brutal
tracks with a strange feeling… Gore and Evil in the same time!! Highly
recommended!! Well second band is RAPED BITCH, a one man band playing Porn
Goregrind, with programmed drums. Of course it’s rather hard to play after
HORRIFICIA, but RAPED BITCH managed the stuff and comes with 9 tracks of very
good, and even excellent Goregrind! Mainly based on blast beats (the sound of
the programmed drums is just killer!!) you can hear some mid tempos parts here
and there that remind me of MORTICIAN’s heaviest parts. The rest of the 9
tracks is only about blasts, grunts, blasts, porn intros, blast, grunts and
blasts!! RAPED BITCH rules too!! Aaargh! Finally I don’t know who is the best
band of this split release!! Well I don’t mind, both bands are incredible,
excellent and this split CD is a masterpiece!! BUY OR DIE! BUY OR DIE!! BUY OR
DIE!!!!!
by Vincent Touzeau
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HM001
- HORRIFICIA - RAPED BITCH - "split CD" (CD)